Awarapan is the story of man called Shivam (Emraan Hashmi) who searched for joy but found nothing but pain and loneliness. It is the journey of a godless heartbroken lover who in order to escape from the ghosts of his tragic past dedicates himself to serve his gangster boss Malik who runs a chain of hotels in Hong Kong.
Malik asks Shivam to do an unusual job for him. He asks him to keep an eye on his young mistress Reema while he is away on a brief business trip. Reema is a young Pakistani girl who is a victim of human trafficking. Malik had 'bought' her in the flesh market in Bangkok.
Shivam’s heart melts on seeing her innocence and vulnerability. The atheist turns into a believer, as he begins smiling and responding to life. Reema gives Shivam reason to believe that she likes him.
Director Mohit Suri continues to grow as a storyteller. Note the sequence when Shriya's father catches Shriya and Emraan red-handed and the confrontation that ensues, leaving Emraan's life devastated.
Pritam's musical score is refreshing. The tunes are fresh and so are the voices. Cinematography [Raaj Chakravarti] is good, although a few sequences could've been better lit in some scenes. The background score [Raju Singh] is excellent. Dialogues are a highpoint. The dialogue between Ashutosh Rana and Mrinalini, drawing parallels with a sick puppy, is superb.
Emraan delivers a magnificent performance. Ashutosh Rana is splendid. Shriya Saran has a small role, but she sparkles every time she appears on screen. Mrinalini is a talent to watch out for. She's outstanding! Purab Kohli is superb as the eccentric nephew of Ashutosh Rana. Ashish Vidyarthi is wasted. Salil Acharya is a welcome addition to the list of talented actors. Shaad [introduced in WOH LAMHE] is very good. Rehaan Khan [introduced in JAANA] is hardly there. Atul Parchure is nice.
On the whole, Awaarapan, a tale of a heartbroken bloke and his excessive love for a woman will fail to satisfy even the hardcore lovers of mushy
Malik asks Shivam to do an unusual job for him. He asks him to keep an eye on his young mistress Reema while he is away on a brief business trip. Reema is a young Pakistani girl who is a victim of human trafficking. Malik had 'bought' her in the flesh market in Bangkok.
Shivam’s heart melts on seeing her innocence and vulnerability. The atheist turns into a believer, as he begins smiling and responding to life. Reema gives Shivam reason to believe that she likes him.
Director Mohit Suri continues to grow as a storyteller. Note the sequence when Shriya's father catches Shriya and Emraan red-handed and the confrontation that ensues, leaving Emraan's life devastated.
Pritam's musical score is refreshing. The tunes are fresh and so are the voices. Cinematography [Raaj Chakravarti] is good, although a few sequences could've been better lit in some scenes. The background score [Raju Singh] is excellent. Dialogues are a highpoint. The dialogue between Ashutosh Rana and Mrinalini, drawing parallels with a sick puppy, is superb.
Emraan delivers a magnificent performance. Ashutosh Rana is splendid. Shriya Saran has a small role, but she sparkles every time she appears on screen. Mrinalini is a talent to watch out for. She's outstanding! Purab Kohli is superb as the eccentric nephew of Ashutosh Rana. Ashish Vidyarthi is wasted. Salil Acharya is a welcome addition to the list of talented actors. Shaad [introduced in WOH LAMHE] is very good. Rehaan Khan [introduced in JAANA] is hardly there. Atul Parchure is nice.
On the whole, Awaarapan, a tale of a heartbroken bloke and his excessive love for a woman will fail to satisfy even the hardcore lovers of mushy
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